‘A magnificent book. Honest, enjoyable, recognizable and exploratory.’ OPIUM
‘Inspired and literary, Loontjens takes the path to self-reconciliation.’ NRC HANDELSBLAD
Poet, essayist, novelist and philosopher Jannah Loontjens, mother of two children, decides one year not to celebrate Christmas with her mother. She feels terribly burdened by this decision: how should she tell her? And where do those stubborn, persistent feelings of guilt (towards her mother, her lover, her children, her own body – after that one glass of wine too many – the list goes on) actually come from?
She decides to explore, with the help of philosophers, writers and theologians, her own conscience, analysing those awful pangs of guilt down to their core, fearlessly peeling them back, examining those moments in her past when she has felt unnecessarily guilty, and others when it truly was a matter of guilt.
In the end, she comes to the realisation that feelings of guilt arise from a fear of others’ judgement: ‘My guilt often appears to be a mask, behind which fear lurks, fear of other people’s judgement. Fear that makes me pretend that everything is fine. This pseudo-contentment obstructs the path to honesty, and tenderness.’
‘Aside from all of the philosophical and psychological theorising, Guilty is above all a confession about what went wrong in the writer’s past.’ TZUM
[Jannah Loontjens] doet in Schuldig uitgebreid uit de doeken wanneer en waarom zij zich schuldig voelt, en hoe ze aan de grond zit met dat gevoel. Daar kan ik mij aan laven.’ STINE JENSEN
Elk jaar ga ik rond de kerstdagen op reis, ofwel duizend kilometer naar het Noorden ofwel ongeveer dezelfde afstand richting het Zuiden. Mijn vader woont namelijk in Zweden en mijn moeder in Frankrijk. Vorige kerst besloot ik echter voor het eerst met mijn kinderen thuis te blijven. De vlieg- en treintickets waren duur, bovendien hadden we zin om een keer in de vakantie thuis te zijn….
Coverstuk van Volkskrant Magazine gewijd aan ‘Schuldig’. Lees hier het hele essay.
“Mijn schuldgevoel blijkt vaak een masker, waarachter angst schuilgaat, angst voor andermans oordeel”, schrijft Jannah Loontjens in ‘Schuldig‘. De filosofe en schrijfster trekt daarin haar masker af. Dat gebeurt tegen de achtergrond van de naderende Kerst.
Compelling novel about friendship and parenthood in a time when we are afraid to make choices
Rights sold: Typotex (Hungary) Turbine (Denmark)
* English sample translation available*
‘An amusing book, full of humor, about the absurdities in the everyday life of a working mother.’ Eni Rostás, Könyvesblog.
But Then Again describes four days in the life of Mascha. She lives in Amsterdam, has a good job just like her boyfriend, and together they have two children. She leads a life that appears typical for our time, when social media and freedom of choice make life more fun, but also more complicated. We chat, WhatsApp, tweet, Facebook and find love online.
These four days in Mascha’s life paint a contemporary picture to which many will relate. She enjoys wild evenings with her friends, does her best to be a good mother, puts her relationship under the microscope, and has a secret Facebook affair. Every day she struggles with her responsibilities.
But Then Again is an exceptionally rich novel, which depicts not only the adventures of a young woman, but also tackles the important issues of our time – a time when it is becoming increasingly difficult to make choices.
PRAISE FOR BUT THEN AGAIN:
‘But Then Again offers an intimate glimpse into the life of a modern woman in all her guises. Poignant, philosophical thoughts shine through the mun- dane. Excellent work!’ – SASKIA DE COSTER
PRESS ON BUT THEN AGAIN:
‘What makes this novel so new, exciting and rich is the sophisticated way in which she inserts psychological, philosophical and social layers throughout the story.’ – TROUW
‘Vivacious and modern.’ – JAN MAGAZINE
‘Painfully recognizable.’ – VERONICA MAGAZINE
‘With this thought-provoking novel, Loontjens demonstrates the power of literature.’ – DE TIJD
PRESS IN HUNGARY
‘There aren’t any ordinary people out there; if we examine anybody closely enough, we discover that they are unique, exciting and individual in their own way – the genius of Jannah Loontjens is to see people in this way.’ Hahó Grozdits, Librarius.hu
‘Jannah Loontjens seeks to convey the complexity of female social roles from the perspective of women and identity. The female body and mind occupy the spaces between the characters, providing the essential theme of the novel – to understand, to apprehend.’ Borbála Ferenczi, Könyguru
‘The novel is full of ambiguity, recognition, promise, and doubt.’ Katalin Baranyi, Katherine’s Bookstore
‘Loontjens challenges taboos about women and motherhood in literature.’ Ágnes Szucs, Vasarnapi Hirek
PRESS IN DENMARK
‘Kender I det, når man læser en bog, som man kan tage med sig overalt? Man kan læse et par enkelte sider eller fem, mens man står og venter på, at kaffen er løbet igennem, eller man kan nuppe 100 sider i rap. Måske ikke alligevel er sådan en bog, og det er bestemt ikke en skidt ting.’ […}
‘En gribende og lettere komisk fortælling, som på samme tid er både genkendelig og fjern.’ Bogblogger